Scott Foundas

An obsessive friendship between two teenage girls unfolds with equal amounts of tenderness and terror in "Breathe," a modest but acutely observed and affecting adolescent portrait that suggests a chaste...

"Contempt" meets "Lassie," sort of, in Jean-Luc Godard's "Goodbye to Language," a characteristically vigorous, playful, mordant commentary on everything from the state of movies to the state of the world...

John Boorman has gone back to the wellspring of personal experience that so richly informed his 1987 "Hope and Glory" for "Queen and Country," and the result is a modest...

As much as she stood out from the crowd in her Oscar-winning turn as Edith Piaf, that's how much Marion Cotillard blends into the unfettered working-class environs of "Two Days,...

Eight months after premiering as a work-in-progress at Toronto, tyro helmer Ned Benson's two-volume, three-hour-plus marital drama "The Disappearance of Eleanor Rigby" has shed its bifurcated structure and some 70...

The promise of Australian director David Michod's 2010 debut feature, "Animal Kingdom," is amply realized in "The Rover," a post-apocalyptic road movie of sorts set a decade after some unspecified...

Seated at his desk in a third-floor office at the Cannes Film Festival 's Paris headquarters, Gilles Jacob exudes the calm, patrimonial authority of a lion in winter -- or,...

Casting aside rumors of editing-room tensions between himself and director James Gray, Harvey Weinstein spoke proudly and enthusiastically about Gray's lush 1920s period drama "The Immigrant" Tuesday night at the...

Literally, the title of Dan Wechsler's "More Than the Rainbow" describes a photo taken by the movie's principal subject, New York street photographer Matt Weber. Figuratively, it describes the quest...

"Jerry Maguire Goes to India" or "Slumdog Fireballer" must have been the high-concept pitch for baseball drama "Million Dollar Arm," but the highly enjoyable result isn't nearly as opportunistic as...