Author Image: Scott Powers

Scott Powers

All Stories

Even with Ralph Fiennes and Carey Mulligan front and center, little in the trailer of "The Dig" seemed particularly promising,? I gave it a go and it's good. Some of it's true, too: Along the east coast of Britain in 1939, with war clouds looming, self-taught Suffolk archeologist Basil Brown was hired by ailing widow Edith Pretty to discover if anything of value lay beneath the earth mounds on her property. There was indeed, and the remains and artifacts of a sixth-century Anglo-Saxon burial ship stunned the world. Fiennes is Basil; Mulligan is Edith; around the halfway point of director Simon Stone's film, the focus (for better or worse) shifts to others in the orbit of the excavation effort, particularly characters played by Lily James and Johnny Flynn. Based on the 2007 novel by John Preston, "The Dig" freely mixes fact and invention, overloading the crises a bit but generally succeeding. A fair amount of screenwriter Moira Buffini's dialogue plays out as Terrence Malick-styled voiceover, while the camera focuses on the stark beauty of the surroundings, and men and women actually doing the work. The results are trim, well-made and quite moving. So much for my prejudgments. (Netflix) — Michael Phillips
Even with Ralph Fiennes and Carey Mulligan front and center, little in the trailer of "The Dig" seemed particularly promising,? I gave it a go and it's good. Some of it's true, too: Along the east coast of Britain in 1939, with war clouds looming, self-taught Suffolk archeologist Basil Brown was hired by ailing widow Edith Pretty to discover if anything of value lay beneath the earth mounds on her property. There was indeed, and the remains and artifacts of a sixth-century Anglo-Saxon burial ship stunned the world. Fiennes is Basil; Mulligan is Edith; around the halfway point of director Simon Stone's film, the focus (for better or worse) shifts to others in the orbit of the excavation effort, particularly characters played by Lily James and Johnny Flynn. Based on the 2007 novel by John Preston, "The Dig" freely mixes fact and invention, overloading the crises a bit but generally succeeding. A fair amount of screenwriter Moira Buffini's dialogue plays out as Terrence Malick-styled voiceover, while the camera focuses on the stark beauty of the surroundings, and men and women actually doing the work. The results are trim, well-made and quite moving. So much for my prejudgments. (Netflix) — Michael Phillips