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You’re in agony. You know that song in the commercial, in the club, on the radio, but the title is just . . . out . . . of . . . reach. If you have a cell phone, you can try to end your misery with a 99-cent call. Dial in, play a 15-second song snippet and almost instantly get back a text message naming the song and the artist.

But that seems so soulless. The Tempo Subcommittee on Song Smackdowns decided to pit software — New York-based NMK Inc.’s 1-866-411-SONG — against a trained professional — 97.9-FM The Loop DJ disc jockey Zakk Tyler.

We’ll tell you right now, Tyler’s zillions of gray cells lost out to the machine’s 2.6 million song database. But he didn’t try to sell us a ringtone.

ARTIST, SONG

Massive Attack, “Teardrop”

MACHINE

Wrong. Tried to sell us “Cafe Del Mar” by Energy 52 as a ringtone.

DEEJAY

Wrong

ARTIST, SONG

Johnny Cash, “A Boy Named Sue”

MACHINE

Right

DEEJAY

Right

ARTIST, SONG

Dido, “White Flag”

MACHINE

Right

DEEJAY

1/2 “I recognize it’s Dido because her formula hasn’t changed much.”

ARTIST, SONG

Claude Debussy, “Clair de Lune”

MACHINE

Wrong

DEEJAY

Wrong. “It sounds like something I would have listened to while on hold.”

ARTIST, SONG

50 Cent with Eminem, “Gatman and Robbin”

MACHINE

Right

DEEJAY

Wrong. “My niece would know that. If I was sitting next to my niece I could have cheated.”

ARTIST, SONG

Louis Prima and Keely Smith, “That Old Black Magic”

MACHINE

Right

DEEJAY

Wrong. “That one left me clueless.”

ARTIST, SONG

Ani DiFranco, “32 Flavors”

MACHINE

Right

DEEJAY

Wrong

ARTIST, SONG

Marvin Gaye, “Can I Get a Witness”

MACHINE

Right

DEEJAY

Wrong. “I could have used my mom’s help on that. Is it becoming apparent that I’ve worked at a rock station all my life?”

ARTIST, SONG

Jay-Z & Linkin Park, “Dirt Off Your Shoulder/Lying From You”

MACHINE

Right

DEEJAY

Identified Linkin Park.

ARTIST, SONG

Yes, “Owner of a Lonely Heart”

MACHINE

Right

DEEJAY

Right

Deejay gets the last word: “I’m a rock ‘n’ roller from the past, and a lot of the indie artists . . . while I can appreciate it with rap and their audiences, I haven’t kept up with it.”