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Peter Biskind’s “Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film” suggests that financial success killed the freewheeling spirit and daring of indie movies, claiming that creative risks became liabilities when millions of dollars were suddenly at stake.
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Edited by Cara DiPasquale (cdipasquale@tribune.com) and Victoria Rodriguez (vrodriguez@tribune.com)



