Good news for the feedback fans among us: When the Raveonettes’ return to Chicago this week, they will most certainly bring the fuzz.
When they first came together in Copenhagen in 2001, the Danish duo’s setup was simple: One guy — mastermind Sune Rose Wagner, aloof, tousled black hair, cagey looking; and one girl — shoegazey chanteuse Sharin Foo, a slinky, dizzyingly tall platinum blond.
Their music was a minimal, droning take on coiffed ’50s rock, with two-part harmonies, three-chord songs and nostalgia-laden lyrics. Fans glommed onto the Raves’ debut couplet, “Whip It On” in 2002 and “Chain Gang of Love” in 2003, for their raw, glorious grit.
But with 2005’s “Pretty in Black,” the twosome ditched the moody noise and became a five-piece, collaborating with big names such as Ronnie Spector. Many followers lamented the change, but Wagner makes no apologies.
“I like clean, simple pop music, and I like raw, noisy stuff,” he said from a hotel in Lisbon, hours before a performance. “I do whatever I feel like at the time and that’s it.”
But with their just-released disc, “Lust Lust Lust,” the Raveonettes pile on the feedback even as they simplify all else. The album is both a return to form and a forward leap — a genuine coalescence tangible throughout this tour.
When asked about the new album’s titular sin, Wagner said, “I embrace it. My life is so filled with [lust] that it’s hard to escape it.”
“I actually saw a shrink, which helped. The Buddhist way of handling it is a bit too monastic for me,” he added.
Wagner’s approach to songwriting, however, is best cloistered. And for a band known to swath their songs in nostalgic imagery, the lyrics on “Lust Lust Lust” are surprisingly stripped.
“I’ve cloaked my feelings in characters before,” said Wagner, the Raves’ sole songwriter. “This one was easy — everything is true.”
There is both art and exuberance on “Lust Lust Lust” but also, more noticeably, a drop in posture. There aren’t any producers or guests, either.
“I had such a clear vision of this album, it didn’t make sense to bring anyone into the process,” Wagner said. “It was too personal.”
And while it once seemed the Raveonettes were renting space from the greats, with “Lust” they build a nook all their own.
“We’re a very young band still,” Wagner said. “We’ve only been around a few years, so we have some great albums to do. I just want to make beautiful, deep, intense rock ‘n’ roll.”
His modesty is touching, but when the Double Door quakes on Tuesday night, the dissonance will destroy that too.
