Bill Finegan, an architect of the big-band sounds of Tommy Dorsey and Glenn Miller who later traded in commercial success to co-create the Sauter-Finegan Orchestra, which produced music that still stands as some of the most experimental of the swing era, has died. He was 91.
Mr. Finegan died June 4 at Bridgeport Hospital in Connecticut from complications of pneumonia.
In 1938 Dorsey purchased Mr. Finegan’s score for “Lonesome Road” and played it for Miller, who offered the young arranger a job. From 1938 to 1942 Mr. Finegan wrote more than 300 arrangements for Miller including some of the band’s biggest hits: the classic “Little Brown Jug,” “Sunrise Serenade” and “Song of the Volga Boatmen.” Mr. Finegan also wrote arrangements for the films “Sun Valley Serenade” in 1941 and “Orchestra Wives” in 1942, and had begun a lifelong profession as a teacher.
One of his students was Nelson Riddle, celebrated arranger for Frank Sinatra.
“Bill’s arrangements for Glenn [Miller] demonstrated that great originality and inventiveness are possible even within the restrictive confines of a highly stylized band, which the Miller Orchestra was,” Riddle said in the book “September in the Rain: The Life of Nelson Riddle.”
Mr. Finegan worked intermittently for Dorsey and wrote arrangements for the film “Fabulous Dorseys” in 1947. He also wrote for bandleaders Horace Heidt and Les Elgart.
But Mr. Finegan bristled at the restrictions placed on the writing by the industry and band leaders.
In 1952 he teamed up with another arranger, Eddie Sauter, to create a band that would explore and expand the concept of the jazz orchestra.
Time magazine called the group “the most original band heard in the United States in years.” Their albums include “New Directions in Music,” recorded in 1953, “The Sons of Sauter-Finegan” (1955) and “Adventure in Time” (1956).
The band lasted about five years and became known for its rich harmonics, extraordinary voicing and varied instrumentation. In addition to the standard instruments, the orchestra included kazoos, toy xylophones and recorders.
“They came up with this idea to supplement the big band with all this extra orchestral instrumentation that would allow them to expand their writing and give them more color to work with,” Mr. Finegan’s son, James Finegan, told the Los Angeles Times.
Humor, fun and adventure came with the music. When the orchestra’s record label required them to play show tunes, the group responded by playing them on kazoos.
In the years following the breakup of the Sauter-Finegan Orchestra, Mr. Finegan wrote music for commercials and taught.
