Skip to content
Author
PUBLISHED: | UPDATED:
Getting your Trinity Audio player ready...

June 16 (Reuters) – Ian Bell justified his elevation to the

top of England’s batting order on Saturday when he overcame a

possible fractured jaw to score his second one-day century as

the hosts amassed 288 for seven after being asked to bat first

in game one of the three-match series against West Indies in

Southampton.

Bell struck 126 under cloudy skies at the Rose Bowl,

equalling his career-best score, as England capitalised after

West Indies captain Darren Sammy had won the toss and elected to

field.

Bell was cleared to play in the match moments before the

start. He had required 10 stitches to his face on Friday after

being struck on the chin while batting in the nets.

Captain Alastair Cook was caught behind in the opening over

with England yet to get on the board but Bell and Jonathan Trott

(42) combined for a 108-run second-wicket partnership to set the

hosts on their way.

As well as Trott, wicket-keeper Craig Kieswetter made a

solid contribution with an unbeaten 38 but the departure of Bell

saw England lose some of its momentum before some late hitting

from Stuart Broad (22) ensured England a more than competitive

total.

All-rounder Marlon Samuels was the pick of the tourists’

bowlers, taking two wickets for 43 runs from nine overs while

Denesh Ramdin claimed four catches behind the stumps.

Bell’s hundred was timely for him and England who are

seeking a new opening partner for Cook following the

limited-overs retirement of Kevin Pietersen.

West Indies suffered a blow before the start of play when

Chris Gayle’s return to international cricket was put on hold

after he was ruled out with a foot injury.

Gayle, 32, had been expected to play his first match for

West Indies since last year’s World Cup after being unavailable

due to a falling out with the West Indies cricket board.

“Hopefully he will take part in the remainder of the

series,” Sammy told Sky Sports.

(Writing by Tom Bartlett in London, Editing by Clare Fallon)