* Chilean film “Gloria” brings cheers to Berlin
* Festival in need of a hit after series of flops
* Early favourite in race for Golden Bear, other awards
By Mike Collett-White
BERLIN, Feb 10 (Reuters) – There were cheers for Chilean
drama “Gloria” at the Berlin film festival on Sunday, partly out
of relief as the annual cinema showcase finally got its first
hit after a series of critical misses.
The touching story of a middle aged woman’s quest for love
and adventure in modern-day Santiago drew comparisons to Woody
Allen for the intimacy of the relationships and to Meryl Streep
for the arresting performance of actress Paulina Garcia.
Garcia plays Gloria, a bespectacled 58-year-old divorcee
whose children have left home and who goes out to singles night
discos, where she dances and flirts and refuses to retreat
quietly into the old age.
There she meets Rodolfo, a charming but complex former naval
officer in his 60s, who sweeps her off her feet in a whirlwind
romance that Gloria believes may turn into something permanent.
As they try to forge a lasting bond, their past lives
constantly intrude, in what critics saw as a metaphor for Chile
as it emerges from the dictatorship under Augusto Pinochet.
Director Sebastian Lelio’s inspiration was his mother and
her generation, which is rarely tackled in an industry obsessed
with youth.
“I would say that we are all facing what Gloria is facing,
but it just happens to some people sooner than others,” he told
reporters in Berlin, where Gloria is one of 19 movies in the
main competition lineup and the most popular so far.
“We all face crossroads in our lives where we can retreat
into ourselves or we can hit the dancefloor.”
GLORIA AS ROCKY
He likened Gloria to the movie character Rocky Balboa.
“The world strikes at her and beats her down, but she
manages to get up once more and carry on forward, holding her
head up high.”
Lelio is unflinching in his portrayal of the romance between
Gloria and Rodolfo, which includes passionate sex scenes
normally reserved for younger actors.
Actor Sergio Hernandez said he expected people in Chile
would be shocked by the graphic nature of some scenes.
“We live in a hypocritical society, but I don’t think people
should be shocked,” he said. “It’s always been there … adults
making love as they never have before, perhaps better than they
ever have before.”
Lelio believed his movie had universal appeal as well as
portraying Chilean society today.
“We have increased life expectancy,” he said.
“Hitting your 60s doesn’t mean the same thing that it used
to in the old days. A new chapter of your life can begin and
that’s what I wanted to look at in this film. That’s not Chile,
it’s happening in lots of countries around the world.”
It was welcome in Berlin, where it was the seventh
competition film to screen at the Feb. 7-17 event. The first
six, including U.S. entries “Promised Land” and “The Necessary
Death of Charlie Countryman”, failed to impress critics.
Though not a comedy, Gloria’s zest for life ensures plenty
of laughs. Her revenge at being jilted comes in the form of a
paintball attack on her target in a spoof of mob movies where
enemies are gunned down in the street in broad daylight.
For Garcia it also has an upbeat message for Latin American
audiences, because her character would have lived through the
military coup of 1973 which placed Pinochet in power and the
human rights abuses that followed.
“I think we are seeing a new society emerging in Chile and I
think this is linked to what happens in Gloria,” she said.
“Sometimes people are gloomy and cynical and I think it’s
important to say there is another way of looking at life –
seeing the light and not just the dark.”
(Reporting by Mike Collett-White)
